Babylon 5: The Final Verdict

If you somehow missed the Babylon 5 rumpus that's been taking place around here for the past week, fear not: all the links can be found right exactly here. Last Friday, I did an overview of the show. Monday was the show's best characters, Tuesday was its worst, Wednesday was its best aspects and Thursday and Friday covered its worst aspects. Today, we wrap up the whole thing.

It occurred to me while I was writing the 'worst things' posts that I might be grading Babylon 5 on an unfair metric. Comparing B5 to the three best sci-fi shows of the 2000s--Battlestar Galactica, Doctor Who and Firefly) inevitably puts it at a disadvantage, and there are all kinds of mitigating circumstances relating to why it stinks at times. Its first four seasons aired on a network (PTEN) that was relatively unknown and probably doomed from its inception, its budget was poor, it was in an era of TV sci-fi that didn't have all that many standout shows, and so on. The best sci-fi shows of the 2000s benefited from ample budgets, well-known networks and better actors than B5 could muster.

I'm not so sure that's an excuse, though. Less than two decades after its release, Babylon 5 looks extremely dated. The bad CGI, the heavily made-up cast contribute to it and the pre-HD cameras contribute to it, but there's a certain look to the footage, sets and in the directing that just stamps the show as old-fashioned. (The camera basically remains at shoulder height for the entire series.) It gained a large cult following and is remembered fondly by many sci-fi fans, but against sleeker, more modern shows it just doesn't measure up.

Ultimately, it's hard to pin the show's faults on J. Michael Straczynski or on extenuating circumstances. The actors are wooden, the directing is ordinary and the dialogue is poor: is that Straczynski's fault, or was it the fault of the era? It's hard to prove one way or the other. Ultimately, though, the only real criteria upon which I can evaluate Babylon 5 is how it looks to me, a fan of sci-fi that came of age in the 2000s.

Viewed purely on its own merits, then, Babylon 5 falls short in most ways. As I've been saying throughout this weeklong review, the show is consistently mediocre. Straczynski often likened his creation to a novel, but it's not an exciting one if that's the case. Bad writing, a lot of bad acting, bad casting, bad set design and stories that took forever to tell drag this show down, and good acting, some good universe-building and a pair of good seasons resuscitate it. I think some of the show's appeal originally lay in its serialization and consistent mediocrity: you could turn on the TV every week and know what you were getting. It wasn't going to be more than occasionally good, but it wasn't going to be horribly bad either, perhaps because there was so little at stake.

If you're a fan of the shows I mentioned at the start of this post, Babylon 5 is probably not for you. It's not remotely in their league. If your standards are lower or you're a fan of '90s sci-fi, then give it a try.

More Or Less Arbitrary Grading Scale
Acting: B-
Set Design: D
Character Development: A-
CGI: D-
Average Episode Quality Relative to Itself: C
Imagination: B
Writing: D+
Universe-Building: A-
Good Villains: C- (good in seasons 2 and 3, terrible in 4 and 5)
Good Heroes: D-
Good Characters Who Are Both: A
Series Ending: F
Arc Continuity: A
Character Continuity: D+

OVERALL SERIES GRADE: C-

The Best Aspects of Babylon 5

Good afternoon! If you're just tuning in, we're midway through a weeklong super-review of the TV show Babylon 5. Last Friday's preview of the show can be found here, Monday's post on B5's best characters here, and Tuesday's description of the worst characters here. Today, we tackle the best things about the show. Thursday and Friday will be posts about the worst things, and then we'll wrap it all up on Saturday.

Good Acting

B5’s cast, while accomplished, can’t compare to the David Tennants and the Nathan Fillions and the Edward James Olmoses of the world. It’s full of duds, including some of their biggest ‘stars’, and a lot of those duds’ on-screen time is a total waste of your patronage. But, surprise surprise, they have a lot of good actors/actresses putting in time as well. Peter Jurasik and Andreas Katsulas are golden whenever they’re on screen, and both get a ton of time and storylines in all five seasons.

Aside from Lennier, Ivanova and the frequent guest stars I just mentioned, B5 brings in dozens of outside names every season. I can’t think of an episode that didn’t feature at least one one-off or recurring guest star, and a lot of the time it’s pretty effective. Wayne Alexander, who plays several of these roles, was a recurring favorite of mine.

Racial Psychologies

This is primarily a Season 1 and 2 thing, but one of Straczynski’s better moves was giving each major species its own background and personality, and having them manifest through that species’ ambassador on B5. Londo dreams of the vanished days of his once-great Republic, and sets horrible plans in motion based on those dreams. G’Kar’s race was repressed by Londo’s, and his species is still looking for its place in the universe. That’s evident in Katsulas’s acting. A lot of the humans are veterans of the Minbari War, a war they only won when the Minbari surrendered (they were about to win), and they’re still visibly freaked out about it. It's good casting, acting and writing all together.

The Big Ones

Like I said in the beginning, the series is primarily composed of mediocre episodes,  but every now and again comes a spectacular one. Babylon 5 doesn’t futz around with time travel much, but those episodes are some of the best. The culmination of the Shadow War in Season 4 is a kick-ass episode, as are a number of episodes in Seasons 1 and 5 (the Jewish one in S1, the fighting one in S1, the one in S5 where Garibaldi and Lochley bonk heads, etc). If you have the patience to sift through the crap, there’s some gold underneath.

Season 1, Season 5

In fact, those might be the show’s two best seasons. Season 1 featured Michael O’Hare instead of the wooden Bruce Boxleitner, and Season 5 got a lot of things right that hadn’t worked previously. It expanded some characters’ roles and scaled back others, gave Lyta Alexander a personality and introduced Robin Atkin Downes (“Lord” Byron) and Tracy Scoggins (Elizabeth Lochley). It’s perhaps an indictment of Straczynski’s inflexible arcs that his show’s best seasons were largely free of the series’ two longest-running storylines, but what can you do? Babylon 5 was best when it was universe-building, and that made up the meat of S1 and S5.

The Offbeat Episodes

Most of the B5 episodes followed a pretty specific formula. Station is hanging out, outside force/person/technology enters the station, someone wants to capture/speak to/negotiate with said force/person/tech, mayhem ensues. According to Wikipedia, Straczynski’s ideal show differed from the Star Treks of the time by having the universe come to the station, not having the station go and explore the universe.

I’m fine with that formula. But once or twice a season, the creators would try something completely different. It could be a news report on the state of the station, or following around random maintenance workers we’d never seen before, or taking a snapshot a million years in the future. All of these episodes served as a welcome change of pace, and most of them were pretty darn good.

A Bigger, Older Universe

 This is my favorite of the good things, and just about the only thing B5 has that sets it apart from the rest of TV sci-fi. You know how in Doctor Who, there’s a sense of the future being wide-open and full of wonders and practically infinite? Babylon 5 does a similar thing with the past. It has a wonderfully pervasive sense of age, of ancient wonders and fallen species and a history that far predates human experience. Any show can say that there’s been civilization millions of years in the past, but Babylon 5 makes you feel that sense of age and the unknown, of ancient mysteries and hidden treasures. That, I feel, is B5’s most distinctive and best feature.